The Seasoning House – where young girls are prostituted to the military. An orphaned deaf mute is enslaved to care for them. She moves between the walls and crawlspaces, planning her escape. Planning her ingenious and brutal revenge.

Frank, a man without a criminal record, attacks a money transporter and then turns himself in to the police. His behavior is a mystery. In prison he meets the unscrupulous and suspicious Arab Fuad, who is protected by his clan. To get closer to Fuad, Frank intervenes in the drug business within the walls and gets caught between the two rival groups of German and Arab inmates. It is only the prison guard Susanna with whom Frank will be able to build a relationship of trust, not knowing that she is part of Fuad’s business and has a sexual relationship with him. However, they come emotionally close. What only Frank knows is that his wife and his daughter died in a car accident. Fuad was the hit-and-run driver that remained unpunished. Frank seeks revenge.

Frustrated with the direction of the church, Cardinal Bergoglio (Jonathan Pryce) requests permission to retire in 2012 from Pope Benedict (Anthony Hopkins). Instead, facing scandal and self-doubt, the introspective Pope Benedict summons his harshest critic and future successor to Rome to reveal a secret that would shake the foundations of the Catholic Church. Behind Vatican walls, a struggle commences between both tradition and progress, guilt and forgiveness, as these two very different men confront their pasts in order to find common ground and forge a future for a billion followers around the world.

Though Kevin has evidenced 23 personalities to his trusted psychiatrist, Dr. Fletcher, there remains one still submerged who is set to materialize and dominate all the others. Compelled to abduct three teenage girls led by the willful, observant Casey, Kevin reaches a war for survival among all of those contained within him — as well as everyone around him — as the walls between his compartments shatter apart.

Detective Ben Walls finds himself in a modern day Dante world, passing back and forth between the present and the future. Surrounded by the residents seeking redemption, Ben is left with the task to find a way out.

Two powerful, yet deeply troubled women — refugees from political and personal trauma — flee a past that haunts them. The daughter of a murdered Black Panther revolutionary, Tess, (Hamilton) lives off the grid on a Sonoma vineyard, fiercely detached from all connections. Her hermetic life cracks when she gives reluctant shelter to a desperate young woman, Anna (Rabe) who has attempted suicide in a nearby forest. An unlikely alliance forms between the two, where other close relationships have failed — David, Anna’s husband, (Linklater) and John, Tess’ employer (Weber), cannot break through their walls. But the very difference between the two women opens them up to a new vision of themselves, as not only survivors, but as heroes capable even of a thrilling shoot-out in the name of outlaw justice. Reclaiming freedom, and life, they plunge forward, towards an unknown, transformative horizon.

Bedrooms tells a story about the walls that separate people, the heartbreak and infidelity that’s often the result and the redemption that comes from tearing those walls down. The film is told in 4 stories by 3 filmmakers. Three of the stories deal with married couples of various ages confronting the turning points of their relationships. A fourth story is interwoven throughout, providing bookends and context in the form of a story about ten year old twins, who, tired of sharing their bedroom set out to build a wall between their beds to create their own spaces. In building the wall to separate, they come to fully appreciate all things that connect them. Bedrooms explores human relationships, their myriad complications and the daily choice we face to either make them work or to move on.

Times are hard for habitual guest of Her Majesty Norman Stanley Fletcher. The new prison officer, Beale, makes MacKay look soft and what’s more, an escape plan is hatching from the cell of prison godfather Grouty and Fletcher wants no part of it. The breakout is set for the day of a morale-raising football match between a ‘celebrity’ football team and the inmates of Slade. Everything is going to plan until Godber is injured on the goal post. In the ensuing confusion, Fletcher finds himself on the wrong side of the prison walls and must now try and break back into prison.

Based on a true story, “Dynamite: A Cautionary Tale” follows family man Max Bornstein who was a full-time dope fiend working within the underground, highly illegal pornography industry in 1968’s New York City. While running books and films to delivery points and mob headquarters around the east coast, Max had the Feds on his tail. But even in the wake of a federal investigation, Max’s truest worry was his wife and two young children, a family kept in the dark about Max’s reality and the walls of it caving in around him. As Max battles his consuming addiction, dissolving family unit and the growing suspicion about his drug use amongst his associates, Max watches helplessly as his well-crafted reality falls to pieces, leaving him searching for the spaces in between.

The Jewish Cardinal tells the amazing true story of Jean-Marie Lustiger, the son of Polish-Jewish immigrants, who maintained his cultural identity as a Jew even after converting to Catholicism at a young age, and later joining the priesthood. Quickly rising within the ranks of the Church, Lustiger was appointed Archbishop of Paris by Pope John Paul II―and found a new platform to celebrate his dual identity as a Catholic Jew, earning him both friends and enemies from either group. When Carmelite nuns settle down to build a convent within the cursed walls of Auschwitz, Lustiger finds himself a mediator between the two communities―and he may be forced, at last, to choose his side.